Peran Video Editor dalam Pembuatan Konten TikTok @bogornative pada Media Wiskul Bogor

Penulis

  • Asri Yuningsih IPB University
  • Suparman Suparman IPB University

DOI:

https://doi.org/10.54259/mukasi.v5i1.6206

Kata Kunci:

Communication Representation, Youtube, Storytelling, Horror Content, Audience Perception

Abstrak

The development of information and communication technology in today’s digital era has had a significant impact on various aspects of life, including the role of video editors. This paper aims to describe the role of video editors in creating TikTok content for @bogornative on Media Wiskul Bogor. The study uses a qualitative approach with an analytical method based on the Multimedia Development Life Cycle (MDLC) theory by Luther-Sutopo (2003), which consists of six main stages: Concept, Design, Material Collecting, Assembly, Testing, and Distribution. The findings show that video editors play an important role in the digital creative industry. Their responsibilities are not only related to the technical aspects of editing but also include the ability to build visual narratives, create engaging story flow, and ensure harmony between visuals, audio, and the designed concept. In addition, video editors are required to understand social media trends to keep the content relevant. Throughout the process, editors often face various challenges such as limited device capacity, large file sizes, miscommunication within the team, and tight deadlines that demand high efficiency and creativity

Unduhan

Data unduhan belum tersedia.

Referensi

Adenia, N. (2019). Pengaruh Sosial Media Instagram Terhadap Minat Beli Konsumen Secara Offline Pada Toko Rr Stuff Di Bengkulu (Studi Kasus Mahasiswa Febi). Ekonomi Dan Bisnis, 2(4).

Ardiansah I, Maharani A. (2021). Optimalisasi Instagram Sebagai Media Marketing: Potret Penggunaan Instagram sebagai Media Pemasaran Online pada Industri UKM. CV. Cendekia Press.

Batee M. M. (2019). Pengaruh Media Sosial Terhadap Keputusan Pembelian Di Toko Kaos Nias Gunungsitoli. Jesya (Jurnal Ekonomi Dan Ekonomi Syariah), 2(2), 313- 324.

Bhandari A. (2022). Why’s Everyone on TikTok Now? The Algorithmized Self and the Future of Self-Making on Social Media. Social Media Society, 8(1), 1–12. https://doi.org/10.1177/20563051221086268.

Brown B. (2020). Cinematography: Theory and Practice (3rd ed.). Routledge.

Dancyger K. (2021). The Technique of Film and Video Editing: History, Theory, and Practice (7th ed.). Routledge.

Fadiyah, P. (Unikom). (2021). Bab 2 teori New Media. 23

Fatimah AF, Nasir M. (2025). Utilization of Short-Form Videos (TikTok, Reels, Shorts) to Increase Brand Engagement and Visibility. J Digit Martketing Search Engine Optim. 2(1):16–31. doi:https://doi.org/10.59261/jseo.v2i1. 7.

Hasan R, Pratama Y. (2021). Digital Media Consumption Behavior in the Post-Pandemic Era. Journal of Digital Society.

Kaur P, Singh A. (2022). Short-form video content and audience engagement: Evidence from TikTok and Instagram Reels. Social Media Studies, 6(3), 201–219.

Kim H., Park J, Lee S. (2021). Emotional engagement in video content: The role of audio-visual elements and pacing. Journal of Media Psychology, 33(4), 187–202. https://doi.org/10.1027/1864-1105/a000280.

Lambert J. (2020). Digital Storytelling: Capturing Lives, Creating Community. Routledge.

Lestari D, Gunawan F. (2023). Creative Role of Video Editors in Digital Storytelling. Journal of Visual Communication Studies.

Patzer, R., McPherson, L., Redmond, N., . . . . Arriola, K. (2019). A Culturally Sensitive WebBased Intervention To Improve Living Donor Kidney Transplant Among African Americans. Kidney International Reports, 4(9), 1285-1295.

Putra A. (2020). Understanding Social Media Algorithms for Content Optimization. Indonesian Journal of Media and Society.

Ramdhani NI, Saleh A. (2025). Proses Kreatif Video Editor dalam Pembuatan Video Profil pada Youtube Generasi Edukasi Prima Media. J-CEKI J Cendekia Ilm. 4(5):771–781. doi:https://doi.org/10.56799/jceki.v4i5 .9723.

Sareya. (2020). Teknik penyuntingan dan kesannya terhadap emosi audiens dalam filem aksi terpilih Malaysia: Technical editing and their effecting towards audience emotion inselected action film Malaysia. Jurnal Gendang Alam (GA), 89–120. https://doi.org/10.51200/ga.v10i.2520

Wijaya H. (2022). Short-Form Video as an Effective Communication Medium in Social Media Platforms. Journal of New Media Trends.

Xiao L, Li X, Mou J. (2024). Exploring User Engagement Behavior with Short-form Video Advertising on Short-form Video Platforms: A Visual-Audio Perspective. Internet Res. 34(3):815–838. doi:https://doi.org/10.1108/INTR-07- 2023-0521.

Zettl H. (2020). Sight, Sound, Motion: Applied Media Aesthetics (9th ed.). Cengage Learning.

Diterbitkan

2026-02-15

Cara Mengutip

Asri Yuningsih, & Suparman, S. (2026). Peran Video Editor dalam Pembuatan Konten TikTok @bogornative pada Media Wiskul Bogor. MUKASI: Jurnal Ilmu Komunikasi, 5(1), 462–475. https://doi.org/10.54259/mukasi.v5i1.6206

Terbitan

Bagian

Articles